Lawsuit Could Stop Spielberg’s Oldboy Remake

By Peter Sciretta/June 18, 2009 9:49 am EST

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Well now fans can rest happy (at least for a bit) as AnimeNewsNetwork is reporting that Japanese publisher Futabasga is suing the Korean film production company Show East over the rights to remake the story in Hollywood.

According to the report in ANN:

In the 2003 South Korean film, a man named Dae-Su is locked in a hotel room for 15 years without knowing why or who is holding him captive. He is suddenly released, given money, clothes and a cellphone and is sent on journey for revenge. The film won the Grand Prix at the 2004 Cannes Film Festival and was highly praised by Jury President Quentin Tarantino. Praised for it’s intense visuals and twisted story, Oldboy was met with positive reviews in the States, and is currently getting an 82% fresh rating on Rotten Tomatoes, and an 8.3 user rating on IMDB, for a #117 placement on the top 250 films of all time.

Futabasha is suing to confirm the lack of a binding contract between the two parties, due to an alleged breach. Futabasha asserts that Show East violated its basic agreement with Futabasha, and thus nullified it, when Show East pushed for the production of a film remake with America’s Universal Pictures. Show East signed its contract with Futabasha over film rights in September of 2002, and signed a second contract in December of 2003 that amended the original one to cover other materials.

Read the official book synopsis below:

“Ten years ago, they took him. He doesn’t know who. For ten years he has been confined in a private prison. He doesn’t know why. For ten years his only contact with the outside world has been a television set and the voices of his jailers. In time, he lost himself. He changed . . . transformed himself into something else . . . something hard . . . something lethal. Suddenly one day, his incarceration ends, again without explanation. He is sedated, stuffed inside a trunk, and dumped in a park. When he awakes, he is free to reclaim what’s left of his life . . . and what’s left is revenge.”

via: cinemablend